THE LEATHER ARCHIVE OF INDIA
India exports leather products worth $5.5 – 6 billion every year. While the booming leather industry is the result of influxes in foreign capital from multinational corporations following the economic liberalization policies that griped India during the 1990s, its origins lay in the imperial re-organization of industry and labour during British rule. The introduction of colonial technical education by the British Empire under its Departments of Industry profoundly transformed leather working practices, introducing synthetical chemicals into the manufacturing process. In order to champion its modern techniques of leatherwork, the British posited the Chamar leatherworkers as primitive artisans in need of chemical modernization. The depth of colonial involvement in leather manufacturing placed the politics of the cow and the social place of leather at the centre of debates about anti-colonial nationalism. Leather manufacturing has become a fraught industry in the past several years due to the rise of religious nationalism and cow protection related violence directed at Dalits and Muslims.
The Leather Archive of India is a digital repository of archival materials, academic research and oral historical interviews about the history of leather in India.
In the digital exhibition presented below, we invite you to look through the research that we conducted for the first phase of this project that delves into the history of the Government Leather Working School in colonial Bombay. But before jumping ahead, we recommend that you read through The Pollution Report, which helpfully frames and further explains on some of the ideas about spheres of action, waste science, and pollution logics that crop up in the histories presented below. We hope to continue expanding our collection and invite you to share any material related to the history of leather in India to our foundation to preserve for future generations. Get in touch by sending us an email at studio@chamar.in.
What We Are Reading (about leather)
Of poisoners, tanners and the British Raj: Redefining Chamar identity in colonial North India, 1850–90
SAURABH MISHRA
Published in The Indian Economic & Social History Review 48, no. 3 (2011)
Toxic matters: Medical jurisprudence and the making of the Indian Poisons Act (1904)
SHRIMOY ROY CHAUDHURY
Published in Crime, Histoire & Sociétés/Crime, History & Societies 22, no. 1 (2018)
Transforming skin, changing caste: Technical education in leather production in India, 1900–1950
SHAHANA BHATTACHARYA
Published in The Indian Economic & Social History Review 55, no. 3 (2018)
On queerly hidden lives: precarity and (in)visibility between formal and informal economies in India
ANIRUDDHA, DUTTA
Published in QED: A Journal in GLBTQ Worldmaking 5, no. 3 (2018)
The violence of odors: sensory politics of caste in a leather tannery
SHIVANI KAPOOR
Published in The Senses and Society 16, no. 2 (2021)
The smell of caste: Leatherwork and scientific knowledge in colonial India
SHIVANI KAPOOR
Published in South Asia: Journal of South Asian Studies 44, no. 5 (2021)
Colonial archive versus colonial sociology: writing Dalit history
RAMNARAYAN S. RAWAT
Published in Dalit Studies, Duke University Press, 2016
Foreign trade and the artisans in colonial India: A study of leather
TIRTHANKAR ROY
Published in The Indian Economic & Social History Review 31, no. 4 (1994)
Bombay grew rapidly in the 1860s after it took hold of the global cotton market during the American Civil War (1861-1865). While Bombay fell into an economic recession after cotton demand dropped after the opening of American markets following the conclusion of the U.S. Civil War, the opening of the Suez Canal in 1869 and the finishing of a transcontinental railway line to Calcutta in 1870 placed Bombay at the centre of this newly-built trading channel from Europe to the depths of India. It was in the midst of this flurry of industrial activity that the British started worrying about the waste that was accumulating in the streets of the southern commercial distinct of Mumbai and established the first waste infrastructure in the coastal city by organizing the transportation of street sweepings (consisting of human and animal waste, industrial dust and debris, and tons of garbage) to the northern parts of the city that had been designated as wastelands by the British. Accumulating waste laid the literal groundwork for the British to transform the swampy marshes of northern Mumbai into reclaimed and propertied land for industrial use. By the 1870s, the Bombay Municipal Corporation had relegated its polluting industries to these newly-consolidated wastelands, including all of the small-scale leather workshops, slaughterhouses, and smoke-emitting industries that had opened up in the southern commercial district of colonial Bombay during the previous decade. In 1896, it was the Bombay Municipal Slaughterhouse at the heart of these polluting wastelands that was selected to served as a temporary hospital to segregate residents who had fallen from the plague and were widely seen as pollutants themselves. This spatial clustering of waste and pollution into adjacent districts laid the groundwork for the village of Dharavi to emerge not only as a hub for leatherworking and industrial activity during the late 19th century, but to become an important urban growth centre that was leading the recycling of plastic and metal waste by the late 20th century. During the 20th century, Indians from across the subcontinent flocked to the marshy wastelands and industrial outskirts of Mumbai in search of better futures. Refusing to cathect the spatial designations proffered by the British colonial office, they remade these districts to suit their own needs and desires producing what social scientists, urban planners, and other neo-colonial researchers have attempted to once again contain and variably described these areas as “slums” (which likely derives from the word “slump” to describe areas that fallen or slumped out of civilized society) and “informal economies” (to insinuate their inability to participate in civilized forms of economic relation). Refusing to see Dharavi as a wasteland that has turned into a slumped entity or sphere of uncivilized economic action, Foundation Chamar looks toward the open-ended scientific research and experimentation that entrepreneurial residents of these areas have conducted with waste and pollution since the 19th century to see Dharavi and the Government Leather Working School as driving forces in the field of recycling, pollution and waste management sciences who have inspired our boundary crossing work with rubber tire waste, VOCs and other un/touch/able matter.
The Government Leather Working School in colonial Bombay was opened by the Department of Industries in 1937 as an extension to the tanning demonstration parties that it had been placing in each of the revenue districts of the province for extended periods of approximately six months since 1934. The purpose of these tanning demonstration parties was to exhibit the modern colonial techniques of leatherwork and impel leather working men from the rural villages who belonged to a number of tribes and castes to adopt these industrialized practices of leatherwork. The British hoped that modern industrial leatherwork with its martial emphasis on regimented industrial progresses, the slaughter of cows and the physics of balance would help men from the Chamar and Dhor castes to prove the fitness of their manhood and cultivate a civilized “esprit de corps” so that they might partake in modern fraternal liberal relations. In its annual reports, the Department of Industries dedicated an entire section to describing the activities of each of the six tanning demonstration parties, going into details about the success of their reformatory activities that sought to standardize and transform local leather tanning practices so that the Chamar and leatherworks would abandon their vices, debts, and feelings of shame to better compete on the European market of leather goods where leather was adjudicated primarily by hide quality, softness and durability, dyeing style and consistency of colour, and finally finishing. Revenue district collectors issued grants to support the establishment of tanneries in the villages under the condition that the local inhabitants would adopt the practices demonstrated by the colonial regime. Many of the Chamar and Dhor leatherworkers from the rural villages of the Bombay Presidency derived leather from the skin of cows, sheep and goats who had died of natural causes by dragging the cattle outside of the village limits where they could be flayed under the dictates of Brahmanical caste conventions. It was the colonial tanning demonstration parties who took issue with this practice due to the damage caused to the cow’s skin by dragging its carcass across the ground and pressed for the slaughter of cows because they delivered leather skins that were younger and stronger, which were considered to be higher quality in the European markets. When the tanning demonstrators brought forward these concerns, the Department of Industries responded by first distributing handcarts for the transport of dead cattle outside of city limits to each of the revenue districts in the province and then settling up slaughterhouses where possible or otherwise connecting rural leatherworkers with urban slaughterhouses. These activities are examples of how modern tanning practices profoundly altered the life and political economy of the cows in colonial India at the same time as they crafted modern religious boundaries and by doing so, fuelled an anti-colonial politics of cow protection that quickly turned into horrific episodes of religious and caste-based violence against Dalits and Muslims.
In 1937, the Department of Industries published its first education brochure about the benefits of chromium tanning. Translated into Marathi, Gujarati and Kanarese, the brochure detailed the wonderful marvels of synthetic chemistry for the villagers of the Bombay Presidency. Widely circulated by the tanning demonstration parties, the brochure was designed to encourage villagers to turn toward the burgeoning market of chemical goods for their tanning activities rather than using the locally available materials that they had long used to tan the animal hides, namely turwad and babool bark, or a sticky substance known as ghatbor that is produced using the fruit of the jujube tree. While bark tanning (otherwise known as vegetable tanning) used open vats for its procedure, the British induced locals to adopt closed tanning methods that used sealed bags to increase the chemical contact between the tannins and the hides in process, acting as a temporarily enclosed catalyst until the highly-concentrated chromium tanning liquid would be disposed in local waterways and readily convert into its more toxic form of hexavalent chromium. Moreover, while leatherworkers from the villages had previously only used natural pigments to colour the hides after completing the tanning process, the tanning demonstration parties introduced synthetic dyes produced by the major chemical manufacturers of Europe. These synthetic dyes that were derived from by-products of the petrol industry expanded the range of colourful possibilities for leather artisans while simultaneously releasing carcinogens and other synthetic chemical compounds (rendered volatile through the extractive practices of colonial capitalism) into the tanneries of rural India and by extension, into the bodies of the leather workers who operated them.
Modernizing
Leather
In September 1937, the S.G Songaonkar who was the President of the Independent Harijan Party made an open representation to the B.G. Kher, then the Prime Minister of Bombay, that was published in the Bombay Chronicle. In the call, S.G Songaonkar expressed his gratitude about the election of the Congress Ministries who would “rather incur the wrath of the vested interests in the Hindu community than forsake the Harijans and let go their claims by default.” At the heart of the message was a demand for the “removal of the age-long hurdles placed between us and the civilized influences” that included jettisoning “all barriers in our path of progress, whether acknowledge by law or allowed by custom.” For S.G Songaonkar, the political pathway to accomplish the redistribution of civilization required six key steps: increasing the number of scholarships available to Harijans and exempting Harijans from paying admission fees to university and examinations, as was the practice in the neighbouring Central Provinces; awarding additional tempting prizes to the community; making available special grants for foreign higher education and industrial education, particularly in the Leather Industry, which S.G Songaonkar heralded as the third Industry of India; opening a Tanning Institute in colonial Bombay along the lines of the Tanning Schools of Bengal, Madras and Punjab; requiring that government-funded student hostels be opened up to admit Harijan students; the withdrawal of government funding to any temple or institute refusal entry to Harijans; and the recruitment of Harijans into governmental services, namely in revenue, police, and exercise. For S.G Songaonkar, the civilizational promises of colonial tanning practices and Western education that would lead Chamar leather workers to better futures, beyond the tyranny of caste oppression. S.G Songaonkar was less concerned with the particularities of colonial leather working techniques and more interested in the economic potential that scientific liberalism offered for combatting the uneven distribution of labour under Hindu caste society. Scientific liberalism delivered on its promises for Songaonkar in two ways: first, by inviting Chamar leatherworkers to bypass Hindu caste society and enter directly into fraternal economic relations with the West through the global leather market as professional tanners and cobbers and second, by investing in Harijan futures through financial grants, scholarships, and prizes that supported leather workers to challenge and break free from the conventions of Brahmanical society that had long governed their hereditary occupations. While S.G Songaonkar championed the forces of colonial capitalism for their ability to throw the economics of caste society off balance, government officials were careful to reassure the agricultural castes (who made up 70% of the provincial countryside) that the increased production and export of raw hides and manufactured leather goods would not alter the financial equilibrium of the Central Government.
It was in 1937 after the Indian National Congress had been elected to lead the newly-formed Bombay Province, that the Indian-led provincial government under the direction of Prime Minister Balasaheb Gangadhar Kher built the Government Leather Working School and the affiliated Tanning Institute on the eastern side of the northern suburb of Bandra, about a mile away from the Khar railway station and within walking distance to Dharavi (then well-known as Chamdewalla-ki-wadi or area of the chamars). The location was selected due to the presence of a small colony of a thousand Chamar leather workers that had finally settled in the “inhospitable marshy abode” during the 1910s after arriving in the city during the 1880s and repeatedly being displaced. The new institute was designed to offer further training to “artisan students from the heredity workers’ class” and built on the previous social and political activities of B. G. Kher who set up and worked as secretrary of the Chamdewalla-ki-wadi Committee during the 1930s to initially deliver medical aid, then later to open a social centre where water taps, draining and lighting were provided to the locals, along with a primary school, a prevocational tanning school and charitable dispensary. To honour the critical role that B. G. Kher played in the community, the small hamlet was re-named Kher-wadi in his honour in March 1939. Scholarships were made available for the students following a small donation from local leather manufacturer Mr. Behram N. Karanj and a larger sum from the Indian wing of the German chemical company IG Farben that operated under the name of Chemdyes Limited. The buildings were designed in the image of modern European industrial leather factories, with designated areas for each stage of leather production along with reserved sections for the chemical laboratory and the office of the provincial Tanning Expert. After walking through the multi-step processes of industrial manufacturing at the purpose-built school, students finished the year-long certificate program by learning about the “actual working condition of the trade” through organized visits to local leather, tanning and glue factories, including the Western India Tannery, the Gold Filled Leather Works in Dharavi and the National Glue Factory.
The programme offered by the Government Leather Working School and the Tanning Institute was designed as an “artisan course” that was intended for “those whose educational qualifications are insufficient to entitle them to an advanced course” in chemistry or engineering at the other colleges in the city. Unfortunately the objective of the programme was to transform the primitive artisans into modern craftsmen, a racist civilizational process that involved positing the hereditary leather workers to be backwards and instructing them in the modern chemical theory and practice of leatherwork that had been developed by white European minds that the British wrongly considered to be more evolutionarily advanced. The architects behind the Government Leather Working School and the Tanning Institute did not think that leatherworkers had the capacity to transform into artists (defined by their capacity to think philosophically) or designers (defined by their capacity to think strategically), but rather only modern craftsmen (defined by their capacity to follow detailed instructions). Foundation Chamar emphatically rejects these colonial divisions of thought that underline the artificial delineation of artisans, craftsmen, designers and artists that continue to be used to this day and structure, preferring to appreciate the depth of abstract thought and material practice that every single person in the world brings forward.
The Tanning
Institute
Modern tanning and leather working practices were often figured alongside domestic and industrial khadi and cotton manufacturing during the Swadeshi movement that galvanized Indian anti-colonial nationalism during the 1930s and 1940s. The leather goods designed and manufactured by the artisan students at the Government Leather Working School at the years leading up to Indian independence were displayed at Exhibitions across the country, including the Poona Industrial Exhibition, the All India Khadi and Swadeshi Exhibition held in Madras, and the Bombay Provincial Women's Council Home Industries Exhibition. Following the industrial educational archives of leatherwork in India reveals how Chamar leatherworkers were figured as integral rather than antithetical to the multivalent fabric of Indian nationalism. Just as spinning wheels and khadi sewing kits were distributed by the Swadeshi movements to young upper-caste women who were destined to weave and braid together Indian nationalism, the tools of modern leatherwork such as the last and saw were thrust into the hands of Chamar leather workers who were expected to strengthen and flaunt the durable skin of Indian nationalism. Anti-colonial nationalists differed in terms of the techniques and roles that they expected Chamar leatherworkers to adopt in the aftermath of independence. In the 2019 special issue from Marg Magazine on Gandhi & Aesthetics, Jutta Jain-Neubauer wrote a fascinating article about the manual and austere shoemaking unit that Mahatma Gandhi opened at the Tolstoy Farm in South Asia and later at his Sabarmati Ashram in Ahmedabad that sought to eradicate the stigma that had been associated with the communities of skinners, tanners and leather workers by embracing the use of leather made from the skins of animals that had died a natural death. The practice behind making these shoes which came to be known as ahimsa slippers sought to embody the Hindu, Buddhist and Jain virtue of ahimsa or non-violence that Gandhi actively championed during the warring context of the 20th century. While Gandhi restricted himself to only championing the traditional techniques of leatherworking for the Chamar community that fit within the dictates of Hindu caste society, others like the Prime Minister of Bombay B. G. Kher and the President of the Independent Harijan Party S.G Songaonkar actively championed the modernization of the Indian leather industry precisely because it promised to break down the power of the caste system. In the 1940s, aesthetic decisions in the practice of leather work became deeply bound up in political debates about the caste system, religious nationalism, and colonial modernization.
While many Indians leatherworkers got caught up in the project of colonial modernization and others remained entangled in the dictates of modern Hindu caste society, there were some communities of leather workers who continued to work creatively and experimentally with the skin of animals who had died by largely eliding these competing governing forces entirely but appropriate philosophies, techniques and materials as they saw fit. Of particular note are the leather shadow puppeteers of India who transformed the practice of shadow puppetry by using animal hides for the jointed puppet design. Leather shadow puppets crop up in colonial museum collections around the world and in the past few years some scholars and journalists have conducted interviews with the few remaining communities of leather puppet making and documenting how their practices have been transformed by synthetic dyes and other chemical commodities available for treating animal hides. In these practices, animal skins are not used to produce useful objects for everyday life, but to transmediate the protagonists and antagonists of the mythological plays that they enact into shadow puppet form. This approach to using animal hides as a canvas lays behind the approach used by contemporary Delhi-based artist Bhagwati Prasad in his recent body of work Begumpura. In this series, Prasad sketches out drawings of Begumpura (the city without sorrow) onto translucent goat skins, taking inspiration from Guru Ravidas who first envisioned the utopian world of Begumpura in the 15th century. One of the other interesting nodes that emerged from the energies of the late modernist Dashrath Patel, one of the founding members of the National Institute of Design (NID), who opened the Rural Design School (RDS) in Sewapuri outside of Varanasi, the birthplace of Guru Ravidas. Through the two-year programme in design, Patel taught students how to design “products for day-to-day use: kitchenware, leather-ware, durries, handmade paper, turned-wood products, low-fired ceramic-ware and khadi fabric” using locally available materials. Running vegetable tanning and dyeing workshops, Patel rejected the use of modern synthetic chemicals in the leather arts but advocated the use of modern principles of design over the techniques of decorative arts, punchwork and embroidery that had long been popular in India. At its core, India has always been brimming with creative and philosophical energies that its people have materially brought to leather, transforming the material into bags, chappals, saddles and harnesses, parchment and book binding, hookah bowls, containers for food and water, specialized garments used to harvest gum resins and even surgical instruments. Importantly, India has long been economically connected to the West and its practices with leather are not unique, but have stemmed out of the strategies and techniques developed for animal hides by the circulating peoples of Europe, Asia and Africa since the Bronze Age.
Leather
Nationalism
The Indian leather industry transformed greatly during the 1990s after the Indian government enacted strong trade liberalization policies. The production of leather and footwear products increased in the states of Tamil Nadu, Andhra Pradesh, West Bengal, Uttar Pradesh, Maharashtra, Punjab, Haryana and Delhi as foreign investors from Europe and North America sought to take advantage of reduced import tariffs and market deregulation. By opening larger-scale factory spaces in India during the 1990s for leatherwork, multinational corporations (MNCs) were responsible for partly shifting leatherworking out of small unregistered units where men would process leather hides and the accompanying home-based workshops where women would stitch together the leather goods. The organizational structure of these factories came to be defined by the caste, class and gender hierarchies already ingrained within the field of tanning and leather production, where the laborers were typically poorer Dalits or Muslims and the management were more affluent upper-caste Hindus or Muslims. Aniruddha Dutta helpfully reminds us that not all leather production shifted to these new factories, explaining that MNCs would subcontract out parts of the production process (in particular the gendered stitching of leather goods and footwear) in order to “cut costs, avoid obligations of direct employment such as promotions or benefits, and curtail legal liabilities for dangerous work conditions,” but also by doing so, kept home-based leather workshops economically viable. Even though the tanneries of Dharavi have been shut down by the pollution control board, leather manufacturing through these sub-contracts continues in small workshops that source hides from elsewhere.
We had the opportunity to interview the former superintendent and professor of the Government Leather Working School, Chaudhary Sir. After watching the interview below, we invite you to learn more about our engagement with students who are currently attending the school by reading more about our Last. Saw. Workshops and reading our proposal for transforming the leather working school into a Sustainable Material School in The Pollution Report.
Economic
Liberalization
J.G. Bartholomew, Island of Bombay, Imperial gazetteer of India. New edition, published under the authority of His Majesty's Secretary of State for India in Council. Oxford/ Clarendon Press, 1907-1909. Volume 8, inside back cover.
This archival photograph from 1896 depicts residents of Bombay who were segregated in the Bombay Municipal Slaughterhouse after becoming host to the plague. View the source.
The locals visited by the tanning demonstration parties supplied the trading houses of colonial Bombay, such as the Deccan Trading Company of Bombay who repeatedly published this advertisement in the trade publication Leather & Shoes during the 1910s and 1920s.
A set of newspaper clippings taken The Bombay Chronicle about the making of the Government Leather Working School, 1937-39.
A 1940 promotional calendar for dyestuffs and chemicals sold by IG Farben in India under the name of Chemdyes Limited Bombay.
A list of barks and dye-woods used in the tanning process before the introduction of chromium. Found in John Forbes Watson, A Classified and Descriptive Catalogue of the Indian Department. WH Allen, 1873.
A photograph of Mahatma Gandhi In 1930 wearing his leather ashram patti chappals. This image appeared in Gandhi, Phaidon, 2002.
This photograph depicts an artist sketching out the design for a leather shadow puppet using hides. See more photographs of these leather puppets here.
An installation shot of Bhagwati Prasad’s Begumpura at the Mardin Bienali, 2022.
Vegetable dyes workshop, Rural Design School, Sewapuri, 1986. Credit: Dashrath Patel Archive, Ahmedabad. Originally published by The Wire.
New range of leather products, Rural Design School, Sewapuri, 1985. Credit: Dashrath Patel Archive, Ahmedabad. Originally published by The Wire.
A Few Documents from the Archives
Government Publications
Selections from the Annual Reports of the Department of Industries, Bombay Province, 1937-1940
Government of India Publications
Tanning, and working leather in the province of Bengal
ROWLAND N.L. CHANDRA
Government of India Publication, printed at the Bengal Secretariat Press (1904)
Bibliographic Listings
List of Official Publications of the Government of India related to Leatherwork and Tanning
The Digital South Asia Library
List of articles published in the Bulletin of the Central Leather Research Institute (1954-1962)
Central Leather Research Institute
List of articles published in Leather Science by the Central Leather Research Institute (1962-1987)
Central Leather Research Institute
Journal Articles
The Indian Hide and Leather Trade
HENRY LEDGARD
Published in Journal of the Royal Society of Arts 66, no. 3407 (1918)
The chemistry of leather manufacture: Applying modern science to an ancient art
HENRY B. MERRILL
Published in the Journal of Chemical Education 3, no. 8 (1926)
Strategic Mineral Supplies: Chromium
G.A. ROUSH
Published in The Military Engineer 27, no. 152 (1935)